Plenty of workshops with excellent production lose export enquiries for one reason: the buyer opens the linesheet, sees a garment on a hanger under office light, and moves on. The production quality was never the problem — the presentation layer was.
A wholesale buyer scanning a linesheet or a supplier profile makes a first judgement in seconds, and that judgement is about the imagery, not the stitching. Price, minimum order quantity and lead time only get discussed after the imagery has passed. This is the quiet reason many suppliers never hear back from enquiries they thought were promising.
Until recently, fixing that meant a model agency, a studio and a photographer for every sample range — hard to justify for a collection that changes each season and exists mainly to win orders.
This is the part suppliers underestimate. Because production runs on photographs rather than samples, the distance between your factory, our studio and your buyer stops being a cost line. A supplier in Portugal, Türkiye, Italy, Vietnam or Mexico gets exactly the same workflow, and so does a buyer in Berlin, London, New York or Dubai.
| Channel | What it needs |
|---|---|
| Linesheets and PDF catalogues | Consistent crop and light across the full range, print-capable resolution |
| Wholesale marketplaces and B2B platforms | Clean main frame, ghost mannequin for construction, detail frames for fabric |
| Your buyer's own webshop | On-model frames in the buyer's aspect ratio, ready to publish |
| Trade fairs and supplier profiles | A coherent range presentation instead of hanger photos |
| Your own export site | A catalogue that looks like a brand, not a production floor |
In wholesale, an image that flatters the product is worse than a plain one. The buyer will receive a physical sample, and any gap between the image and the sample costs the relationship, not just the order.
Our production rule is built for exactly that: colour, pattern, fabric texture, logo and print are preserved from your reference; no detail is added, none removed. Every frame is checked against the source garment and regenerated when it does not match.
Yes — often more so. A wholesale buyer scanning a linesheet decides on imagery before asking about price or minimum order quantity.
No. Production runs on photographs, so nothing physical moves — the work is identical whether your factory is in Portugal, Türkiye, Italy, Vietnam or Mexico, and whether your buyer is in Berlin, London, New York or Dubai.
Yes. The model archive is defined per market, so the same garment can be presented on models suited to different buyer markets, with modest styling variants where a market requires them.
English, Turkish or Russian — briefs, delivery and correspondence, with file naming to your buyer's convention.
Yes. Up to 4K in 1:1, 4:5, 3:4, 2:3 and 9:16, so one production run covers linesheet, marketplace and the buyer's webshop.